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Posts Tagged ‘Goodman Gallery’

Johan Thom talks about “The devil made me do it” solo at the Goodman Gallery, 7 March 2015.

Thom is a multidisciplinary artist, frontrunner of a Now Generation of South African practitioners drawing on dramatic histories while creating self-reflexive journeys. His work encompasses two disparate elements: dark humour and light tragedy. It deals with the dividing line between the self and the other where the former fulfils the role of a crazy loner seeking agency, while the latter is a real life arbitrator of reason and knowing.

The exhibition will consist of a series titled Faust the African made up dozens of heads cast from a 19th Century bust of Faust, in builder’s foam, and inlaid with found objects making a macabre and carnivalesque gallery of types. These include an explorer, a gambler, a musician as well as the well-worn men one would find on a travelling vessel, taking an epic journey of exploration. Video, discarded books, drawings on blackboard ink and cast bronze artifacts complete the hellish depiction of a semi-fictitious person seeking out dangerous

Johan Thom gesels oor sy nuwe uitstalling “The Devil Made Me Do It”. Wees deel van kykNET se Youtube kanaal vir soveel meer kykgenot. Volg kykNET op Twitter:…

 

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Johan Thom / The Devil Made Me Do It / 2015

07 March – 11 April 2015

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CATALOGUE LAUNCH
[WORKING TITLE] 2013

AT GOODMAN GALLERY JOHANNESBURG
SATURDAY 25 OCTOBER 2014 AT 11H00

PLEASE JOIN US FOR A DRINK
[Working Title] 2013 Catalogue Launch

The launch of the [Working Title] 2013 catalogue will happen at The Goodman Gallery Johannesburg on 25 November, timed to coincide with the closing day [Working Title] 2014 at Goodman Gallery Cape Town.

The [Working Title] series is focused on developing work that can go beyond the run of the exhibition, and it is important that the catalogue exist in a similar way. The texts aim to extend the questions and subversions the artists provoke as opposed to just explaining and describing the works on show.

Some texts take the form of conversations – Raimi Gbadamosi and Gerald Machona discuss the role of art in representing tragedy and violence while Haroon Gunn-Salie, Simon Castets and Hans-Ulrich Obrist discuss the role of intervention and activism in Gunn-Salie’s practice.
Other contributions like Jessica Webster’s short stories, the co–authored essay by The Brother Moves On and the Frown’s manifesto of worship – are texts which exist as self referential semi fiction.

Kalia Brooks, Adjunct Professor in Photography at the Tisch School of the Arts, explores themes of control and compassion in Tegan Bristow’s interactive video work Coming and going but never leaving. Bristow herself reviews the use of digital and online media in Cuss Group’s work Untitled (Johannesburg screen saver) arguing that medium is definitive in representing the state of South Africa’s socio-political climate. In his analysis of Vinatge Cru, anthropologist and director of the LGBT rights programme at human rights watch, Graeme Reid investigates the centrality of performance to queer visibility in South Africa. Adreinne Edwards, associate curator at Performa New York writes on Nelisiwe Xaba and Mocke van Vueren’s work Uncles and Angels, understanding the work as an experimental meditation on ritual, the feminine, technology. Working Title exists as a space where relationships between the Goodman Gallery and artists, creatives and writers can be incubated.

The catalogue launch will happen alongside an exhibition which showcases works, performances and collaborations which have happened post [Working Title] 2013. Haroon Gunn-Salie, Jessica Webster and Johan Thom – all of whom have solo exhibitions next year with the Goodman Gallery – will exhibit works which are in preparation for their respective exhibitions or which have happened in association with the Goodman Gallery.

Gerald Machona, who was awarded the [Working Title] award in 2013 will exhibit a new series of ‘dictators’ headgear’ made from his trademark medium of decommissioned currency. A film made by The Brother Moves On, which focuses on the collaborative performances done since 2013 will be screened at the gallery.

The [Working Title] exhibitions are part of an initiative by the Goodman Gallery aimed at supporting young artists, curators, independent projects and major installations and performances.

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VUSI BEAUCHAMP / JACO BOUWER / TEGAN BRISTOW / THE BROTHER MOVES ON / CUSS GROUP / THE FROWN / HAROON GUNN-SALIE / MURRAY KRUGER / GERALD MACHONA / MISCHECK MASAMVU / TIFFANY MENTOOR / THENJIWE NKOSI / JOHAN THOM / MJ TURPIN / VINTAGE CRU / JESSICA WEBSTER / NELISIWE XABA & MOCKE VAN VEURENCURATED BY EMMA LAURENCE

GOODMAN GALLERY JOHANNESBURG

OPENING SATURDAY 27 JULY 2013 AT 18H00

“THE POSTCOLONY REVISITED”: OPENING ADDRESS BY ACHILLE MBEMBE AT 18H30


OPENING AFTER-PARTY

SATURDAY 27 JULY 2013 FROM 20H00
GOODMAN GALLERY JOHANNESBURG BASEMENT
FEATURING:
THE FROWN
THE BROTHER MOVES ON
TICKETS AVAILABLE FROM GOODMAN GALLERY JOHANNESBURG, TOKYO STAR AND OTHER VENUES TBC
FREE BUT LIMITED

In July this year Goodman Gallery Johannesburg will present the group exhibition [Working Title] 2013. This is the second installment of the annual group exhibition of the same name, the first of which premiered at Goodman Gallery Cape Town in 2012 and was curated by Federico Freschi. The [Working Title] exhibitions are part of a new initiative by the Goodman Gallery aimed at supporting young artists, independent projects and major installations and performances.

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 2009. In 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio-political issues. In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3-part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.

Previous projects also include the site specific street performance Cut / Cute by Joel Andrianomearisoa, which premiered in Johannesburg as part of SA Fashion Week, and Nelisiwe Xaba and Mocke van Veuren’s performance Uncles and Angels, which was presented at Goodman Gallery Projects as part of the Dance Umbrella.

Goodman Gallery continues to collaborate with academics and theorists, and has hosted lectures by Jane Taylor, Federico Freschi and Alfredo Jaar – whose lecture coincided with his 2012 exhibition at the Goodman Gallery Gold in the Morning – and panel discussions with David Goldblatt, Ivan Vladislavić and Marlene van Niekerk.

While Goodman Gallery Projects closed at Arts on Main in 2012, the [Working Title] exhibition series exists as a resolution to the Goodman Gallery’s continued interest in independent and collaborative projects and allows for the continuation of previous projects and relationships, as well as the introduction of new artists, theorists and creatives into the Goodman Gallery. Each year the [Working Title] exhibition will have a new curator, either from the Goodman Gallery or through collaboration with an invited external curator.

This year’s [Working Title] is curated by Emma Laurence and includes artists who are pushing the limits of the contemporary South African art scene and who have produced work that is at the cutting edge of current art production. The exhibition is concerned with works that are born out of dynamic and independent practice. Included in the exhibition are artists who work across disciplines and who bring into the perceived elite gallery space sub-cultural aesthetics and standpoints.

The show incorporates artists working in various and perhaps unconventional media such as interactive gaming, short stories and punk inspired performance, as well as artists who begin to interrogate modes of representation and viewing in painting and photography. During the run of the show, a series of scheduled events will take place as part of [Working Title] and will include an off-site project by Cuss Group called Video Party, a performance after the opening by The Frown and The Brother Moves On and an opening address and lecture by distinguished theorist Achille Mbembe, who will speak on “The Postcolony Revisited”. Professor Mbembe’s lecture is co-sponsored by WISER (Wits Institute for Economic Research).


GOODMAN GALLERY JOHANNESBURG:
163 Jan Smuts Avenue, Parkwood, Johannesburg, 2193

T: +27-11-788-1113 | F: +27-11-788-9887 | jhb@goodman-gallery.com | www.goodman-gallery.com
Gallery Hours: Tuesday–Friday 09h30–17h30, Saturday 09h30–16h00, Closed Monday

 

Press coverage:

Wed 24 July 2013, Die Beeld (see: http://www.beeld.com/vermaak/2013-07-24-dissiplines-se-grense-vervaag) also posted in ‘Press | Disspilines se grense vervaag’.

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