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2008: Challenging Mud (After Kazuo Shiraga)

Date: 2008
Medium: Single Channel Video Loop on DVD (Format 16:9, HDV converted to Pal)
Duration: 10 min 42 sec

Video still 1 from 'Challenging mud'

Video still 2 from 'Challenging Mud'

On Sunday 23 March 2008 the artist covered his entire body with honey and gold leaf for a private performance in which he was to be buried alive by his wife and a close group of friends. In the resultant artwork the viewer witnesses an unseen hand slowly covering a golden figure lying in a foetal position at the bottom of a full-scale grave. The work is strangely hypnotic, with the repetitive sound and motion of the spade and red soil creating for a meditative viewing experience, an effect further accentuated by the slow transformation of the visual image. The combination between the golden figure, soil and the foetal position serves for the emergence of a variety of interpretative strands, all seemingly archaic/ or mythic in origin: the so-called ‘bog figures’ from northern England come to mind as do the Inca and Egyptian burial customs, the symbolism of gold in the Ashante worldview (Africa), the usage of gold leaf in Renaissance painting and Asian religious iconography, and more close to home, the history of the discovery of gold in Johannesburg, South Africa (where the artist currently lives and works).

The video cuts to black moments before the golden figure breaks through the layer of soil, breathing easy once again.

Video still 3 from 'Challenging Mud'

Technical:

The work was originally commissioned for the group exhibition ‘JOZI and the Mother City’ curated by Carine Zaayman and held from 8 -26 September 2008 at the Michaelis Gallery, Michaelis School of Fine Art, Cape Town. Artists included Ralph Borland, Nicola Grobler, Stephen Hobbs, Svea Josephy, Marcus Neustetter, Sean O’Toole, Nathaniel Stern, Johan Thom, James Webb, and Carine Zaayman. (Catalogue).

The work is homage to the performance ‘Challenging Mud’ (1956) by Guitai artist Kazuo Shiraga (1924-2008).

For exhibition purposes the work is projected, life size, onto a thin layer of flour covering the floor.

Production Credits:

Cinematography: Garreth Fradgley
Assistants: Guy du Toit, Sarel Jansen van Rensburg, Mika le Roux, Shane de Lange, Nicholas du Toit

Special Thanks:

Guy & Marlene du Toit & family
Berna Thom
Thorolf Lipp

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      • 2004-6: Outpost Series
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    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2003: Violence and Happiness
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      • 2006: The Theory of Flight
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      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
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      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
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      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
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        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
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      • Authored
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        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
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        • The sleeping monster produces reasons : Diane Victor
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        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
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