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OBJECTS

SELECTED RECENT OBJECTS




Thom often produces one-off objects that form part of his performance and video works. The works remain connected through their reference to the body, gestures and its relationship to issues of individual agency within larger socio-political and economic paradigms. Individual pieces comprise a hybrid combination of material and technical media.

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This page has the following sub pages.

  • 2007: Looking for Lucy
  • 2007: The OK Revolution
  • 2007: Molotovmammas
  • 2016: Selfportrait with skull
  • 2009: Vessel – Perfect Lovers
  • 2011: Workhorse (with Guy Du Toit)
  • 2010: Gold works
  • 2007: Philistine rules/ Did you know?
  • 2010: Songbirds
  • 2010: Knobkierie
  • 2012: Fallen – monument for throwing…
  • 2010: Recital (Lend me your ears)
  • 2013: The Animal Series
  • 2014-15: Faust the African Series
  • 2016: Promises, promises…
  • 2016: Selfportrait as an ass
  • 2017: The Hanging Garden
  • 2019: Houseboat
  • 2020: Houseboat #2

  • Archives

  • Pages

    • PERFORMANCE
      • 2003: Bind/Ontbind Series
      • 2004-6: Outpost Series
      • 2006: The Theory of Gravity
      • 2008/9: Vox Populis/ Vox Dei
      • 2008: Come in peace/ Go to pieces (2008)
      • 2008: Traffic
      • 2008: Twilight
      • 2010-12: Incantation Series
      • 2010/11: Recital
      • 2010: Biblioclast (Action with Afrikaans/Dutch Dictionary)
      • 2010: Figurehead
      • 2010: Host 1
      • 2011: Container
      • 2011: Licked Colony
      • 2011: Thank you
      • 2013: For Linnaeus
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2003: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
      • 2007: Ascension
      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
      • 2010: blood rites/ eat your words
      • 2010: Host II
      • 2010: Illumination
      • 2010: Shellshock
      • 2011: Flow
      • 2019: Recital: Decoy
    • OBJECTS
      • 2007: Looking for Lucy
      • 2007: Molotovmammas
      • 2007: Philistine rules/ Did you know?
      • 2007: The OK Revolution
      • 2009: Vessel – Perfect Lovers
      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
      • 2011: Workhorse (with Guy Du Toit)
      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
        • …….Drawings
        • …….Mahout (video)
        • …….Photographs
        • …….Sculptures with Guy Du Toit
      • 2014-15: Faust the African Series
      • 2016: Promises, promises…
      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
    • ABOUT
      • Artist statement
      • Press
      • Shortened CV
      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
      • Authored
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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