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ABOUT

Johan Thom (Johannesburg, 1976) is a contemporary South African artist who works across a variety of media including sculpture, video, performance, drawing, printmaking and photography. He is currently living and working in Pretoria and is an associate Professor in Fine Art at the Department of Visual Art, University of Pretoria.

From a narrower focus on the body in his earlier work Thom’s interest have gradually shifted to an exploration of the performative relationship between the body, materials and found objects. He has worked extensively with a broad range of found objects and materials such as wood, polyurethane foam, clay, plaster, chalk, blackboard paint and many others – often generating messy, corporeal visual forms that extend, question and animate the various forces at stake in our changing, material relationship to the surrounding world.

Solo exhibitions by Thom include Nirox Foundation (2024/5), Kalashnikovv Gallery (2023), The Goodman Gallery (2015), Nirox Project space (2014), Iwalewa Haus (2010), the Johannesburg Art Gallery (2008) and the Bag Factory (2008), amongst others. His works have also been included in group exhibitions at the Venice Biennale (2003), the Canary Islands Biennale (2006), and at the Palazzo delle Papesse (2008). He is an active presence in the art research community and has participated in conferences and workshops at the University of Pretoria (2013/14 & 15) Documenta 13 (2012), the University of Cambridge (2009), GradCam in Dublin (2010), the Finnish Academy of Fine Art (2010), the Slade School of Fine Art (2010, 2011, 2012), ‘Real Presence’ at the Venice Biennale (2005), the University of Bayreuth (2010) and many more.

In 2014 Thom completed a PhD in Fine Art at the Slade School of Fine Art (UCL) on a Commonwealth Scholarship. He is an Ampersand Fellow (NY) and has attended residencies in Bangladesh (Britto Arts Trust), Mexcio (Casa Wabi), Switzerland (Pro Helvetia), South Africa (Nirox Foundation 2007 & 2014) and elsewhere. He has (co)curated, developed and coordinated a number of large-scale exhibitions and artistic research projects including ‘A Research of Doing’, an Africa-UniNet funded project (2021-23) at University of Applied Arts Vienna & University of Pretoria, The Octopus Programme (Project leader Assoc. Prof Dr Basak Senova), the Potchefstroom National Arts Festival (2016-2018) and ‘New World Order’ for the Turbine Art Fair (2020) among others.

(For a more detailed listing of his bio, please click on the ‘Shortened CV’ link or follow the sub-pages below).

© Copyright disclaimer
All information on this site is © Johan Thom or as acknowledged. You may access the Site solely for your own personal use. You may not use any content of the Site for any commercial or illegal purpose (including the reproduction of any material, written or otherwise contained herein). Except as expressly authorized by the artist Johan Thom or relevant third parties, you may not copy, download, adapt, alter, modify, rent, lease, loan, sell, distribute or create derivative works of any content of the Site for commercial purposes or public display, in whole or in part.
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This page has the following sub pages.

  • Press
  • Artist statement
  • Shortened CV
  • Interviews
  • Authored

  • Archives

  • Pages

    • DRAWINGS
      • 2005-7: The Diaries of New York, Belgrade, Dhaka and Johannesburg
      • 2009: A murder of text
      • 2013: Drawings from the Animal Series
      • 2023: Things Appear and Disappear
      • 2024 (ongoing): Clay based drawings
      • 2024: Will you still be mine (Mexico)
    • PERFORMANCE
      • 2003: Bind/Ontbind Series
      • 2004-6: Outpost Series
      • 2005: Crawling (The City of Gold)
      • 2006: The Theory of Gravity
      • 2008/9: Vox Populis/ Vox Dei
      • 2008: Come in peace/ Go to pieces (2008)
      • 2008: Traffic
      • 2008: Twilight
      • 2010-12: Incantation Series
      • 2010/11: Recital
      • 2010: Biblioclast (Action with Afrikaans/Dutch Dictionary)
      • 2010: Figurehead
      • 2010: Host 1
      • 2010: ProSpecter
      • 2011: Container
      • 2011: Licked Colony
      • 2011: Thank you
      • 2013: For Linnaeus
      • 2024: nomansland
      • 2024: Will you still be mine? (Del Mar) #1
      • 2024: ‘when my feet fall asleep (they dream of having gills)’
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2002: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
      • 2007: Ascension
      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
      • 2010: blood rites/ eat your words
      • 2010: Host II
      • 2010: Illumination
      • 2010: Shellshock
      • 2011: Flow
      • 2019: Recital: Decoy
      • 2023: ‘Movement in three parts (Isandlwana)’ Johan Thom (featuring Fellay, Manganye & Binda)
      • 2023: Autoportrait
      • 2023: Hoop/Heap (featuring Sudeep Sen)
    • OBJECTS
      • 2007: Looking for Lucy
      • 2007: Molotovmammas
      • 2007: Philistine rules/ Did you know?
      • 2007: The OK Revolution
      • 2009: Vessel – Perfect Lovers
      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
      • 2011: Workhorse (with Guy Du Toit)
      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
        • …….Mahout (video)
        • …….Photographs
        • …….Sculptures with Guy Du Toit
      • 2014-15: Faust the African Series
      • 2016: Promises, promises…
      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
      • 2023: Time after Time
      • 2024: Dwell
      • 2024: LH+RH+LHRH (Grasp)
      • 2024: RH#1 (right heel – the weight of my body in clay)
      • 2024: The ‘Grasp’ Sculpture Kit
      • 2025: LH#1 (left heel – the weight of my body in porcelain)
    • ABOUT
      • Artist statement
      • Press
      • Shortened CV
      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
        • 2023: The Question of ‘Africanness’ and the Expanded Field of Sculpture (part one), Johan Thom (SA) , Olu Oguibe (US) & moderated by Carolyn Jean Martin (US)
        • 2024: Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe & chaired by Johan Thom
      • Authored
        • 2024: Artistic research as an act of self-representation (Or why I choose to view my work as ‘research’)
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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