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2006: The Theory of Flight

From the Perfect Human Series (2005- 2008), Date: 2006
Medium: Single channel Video Projection on layers of glass, mound of soil, mixed media
Dimensions: Approx 250 x 250 x 250cm

A work that was produced whilst the artist was on residence at the Britto Arts Trust (a part of the Triangle Trust) in Dhaka, Bangladesh during 2006. The work is wry commentary on the failures and successes of humanities search for mental and spiritual enlightenment. A 10 minute video loop of the artist sitting and meditating in a pose reminiscent of Buddha is projected onto the physical installation (which is comprised of a massive heap of soil out of which two large glass plates protrude). To the viewer it seems as if they are in the presence of a ghostly apparition floating just above a small mountain of soil.

Video stills from “The Theory of Flight”

In the video Thom’s arms are progressively weighed down with the carcasses of recently slaughtered chickens and ducks until he can no longer bear the added weight and in a desperate attempt to maintain his equilibrium, he then attempts to fly by using his arms as wings.

Photographic production Still. Photo Credit: Sunil Sigdel

You can download the catalogue page detailing the work’s installation for the First Canary Islands Biennale (2006) curated by Antoni Zaya by clicking Here

Also see the ‘Theory of Gravity‘ (2006), a performance created as response, or twin, to this piece.

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    • DRAWINGS
      • 2005-7: The Diaries of New York, Belgrade, Dhaka and Johannesburg
      • 2009: A murder of text
      • 2013: Drawings from the Animal Series
      • 2023: Things Appear and Disappear
      • 2024 (ongoing): Clay based drawings
      • 2024: Will you still be mine (Mexico)
    • PERFORMANCE
      • 2003: Bind/Ontbind Series
      • 2004-6: Outpost Series
      • 2005: Crawling (The City of Gold)
      • 2006: The Theory of Gravity
      • 2008/9: Vox Populis/ Vox Dei
      • 2008: Come in peace/ Go to pieces (2008)
      • 2008: Traffic
      • 2008: Twilight
      • 2010-12: Incantation Series
      • 2010/11: Recital
      • 2010: Biblioclast (Action with Afrikaans/Dutch Dictionary)
      • 2010: Figurehead
      • 2010: Host 1
      • 2010: ProSpecter
      • 2011: Container
      • 2011: Licked Colony
      • 2011: Thank you
      • 2013: For Linnaeus
      • 2024: nomansland
      • 2024: Will you still be mine? (Del Mar) #1
      • 2024: ‘when my feet fall asleep (they dream of having gills)’
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2002: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
      • 2007: Ascension
      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
      • 2010: blood rites/ eat your words
      • 2010: Host II
      • 2010: Illumination
      • 2010: Shellshock
      • 2011: Flow
      • 2019: Recital: Decoy
      • 2023: ‘Movement in three parts (Isandlwana)’ Johan Thom (featuring Fellay, Manganye & Binda)
      • 2023: Autoportrait
      • 2023: Hoop/Heap (featuring Sudeep Sen)
    • OBJECTS
      • 2007: Looking for Lucy
      • 2007: Molotovmammas
      • 2007: Philistine rules/ Did you know?
      • 2007: The OK Revolution
      • 2009: Vessel – Perfect Lovers
      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
      • 2011: Workhorse (with Guy Du Toit)
      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
        • …….Mahout (video)
        • …….Photographs
        • …….Sculptures with Guy Du Toit
      • 2014-15: Faust the African Series
      • 2016: Promises, promises…
      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
      • 2023: Time after Time
      • 2024: Dwell
      • 2024: LH+RH+LHRH (Grasp)
      • 2024: RH#1 (right heel – the weight of my body in clay)
      • 2024: The ‘Grasp’ Sculpture Kit
      • 2025: LH#1 (left heel – the weight of my body in porcelain)
    • ABOUT
      • Artist statement
      • Press
      • Shortened CV
      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
        • 2023: The Question of ‘Africanness’ and the Expanded Field of Sculpture (part one), Johan Thom (SA) , Olu Oguibe (US) & moderated by Carolyn Jean Martin (US)
        • 2024: Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe & chaired by Johan Thom
      • Authored
        • 2024: Artistic research as an act of self-representation (Or why I choose to view my work as ‘research’)
        • 2025: Beauty and survival in a changing climate | Johan Thom | TEDxJohannesburg
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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