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2025: LH#1 (left heel – the weight of my body in porcelain)

The work is shown here as installed as part of Soil & Water a group exhibition curated by Basak Senova, Johan Thom and the NIROX Foundation, Cradle of Humankind, Kromdraai, South Africa 1 Nov 2025 – 17 April 2026. The soil and pigment paintings are by the artist Seretse Moletsane.

This process-based artwork was made by repeatedly imprinting my left heel in small balls of raw porcelain clay and firing the resulting objects. The work is made to the current weight of my body for a total of 208 shapes packed out in a grid approx 9 meters by 1.5 meters in size.

The artwork is an ode to the lowly heel, a vital part of the body that we rarely think about too carefully. But, as we no longer walk toe first, modern humans constantly carry the full force of their weight on their heels.

In recognition of my complex heritage as part of the Dutch and European colonial settlers in southern Africa, I chose to render my left heel in white porcelain clay. In this sense the work also traces my journey through different parts of the world, making visible a small part of my impact and continued presence thereupon.

The artwork is an accompanying piece to RH#1 (right heel – the weight of my body in clay) made in 2024, and held in the permanent collection of Foundation Casa Wabi, Mexico – over 14,000 kilometres away.

(All photographs by Johan Thom except for this close-up by Alet Pretorius).

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    • DRAWINGS
      • 2005-7: The Diaries of New York, Belgrade, Dhaka and Johannesburg
      • 2009: A murder of text
      • 2013: Drawings from the Animal Series
      • 2023: Things Appear and Disappear
      • 2024 (ongoing): Clay based drawings
      • 2024: Will you still be mine (Mexico)
    • PERFORMANCE
      • 2003: Bind/Ontbind Series
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      • 2005: Crawling (The City of Gold)
      • 2006: The Theory of Gravity
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      • 2010: Host 1
      • 2010: ProSpecter
      • 2011: Container
      • 2011: Licked Colony
      • 2011: Thank you
      • 2013: For Linnaeus
      • 2024: nomansland
      • 2024: Will you still be mine? (Del Mar) #1
      • 2024: ‘when my feet fall asleep (they dream of having gills)’
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2002: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
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      • 2007: Birth of a Tyrant (2007)
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      • 2008: The Theory of Displacement
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      • 2023: ‘Movement in three parts (Isandlwana)’ Johan Thom (featuring Fellay, Manganye & Binda)
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    • OBJECTS
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      • 2007: Philistine rules/ Did you know?
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      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
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      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
      • 2023: Time after Time
      • 2024: Dwell
      • 2024: LH+RH+LHRH (Grasp)
      • 2024: RH#1 (right heel – the weight of my body in clay)
      • 2024: The ‘Grasp’ Sculpture Kit
      • 2025: LH#1 (left heel – the weight of my body in porcelain)
    • ABOUT
      • Artist statement
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      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
        • 2023: The Question of ‘Africanness’ and the Expanded Field of Sculpture (part one), Johan Thom (SA) , Olu Oguibe (US) & moderated by Carolyn Jean Martin (US)
        • 2024: Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe & chaired by Johan Thom
      • Authored
        • 2024: Artistic research as an act of self-representation (Or why I choose to view my work as ‘research’)
        • 2025: Beauty and survival in a changing climate | Johan Thom | TEDxJohannesburg
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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