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…….Collaborative large-scale etchings

Five large-scale etchings produced as part of The Animal Series (2013 – 2014) Johan Thom with Diane Victor, Willem Boshoff, David Koloane, Bevan De Wet

Johan-Thom-008

For this leg of the project Johan Thom collaborated with a number of artists to produce works that address the encounter with the elephant skull and each other. Thom prepared the etching plates specifically keeping in mind the work of the collaborating partner. Once the plates were prepared the artists were invited to come spend some time viewing, drawing and photographing the elephant skull at the Nirox Foundation. For example in the case of the work of Willem Boshoff Thom prepared scratched the copper etching plate with the elephant skull, spinning it atop the mirror like, yellow surface for a number of hours. In turn Boshoff overlaid the printed image with a target such as may be found on a hunting rifle. However in keeping with his linguistic approach to artistic practice Boshoff used a number of small, black three dimensonal plastic letters to construct the shape. For the Diane Victor’s print Thom made a full body print by covering himself in condensed milk and crawling across the plate. At this point Victor responded in her signature realist style, drawing the skull in immaculate detail atop the ghostly human figure.

All the etchings are approximately 2 x 1 metres in size with an edition of 6.

Johan Thom

Johan Thom

Johan Thom

Animal, 2013

Body print, etching and drypoint by Johan Thom

108 x 198cm

Johan Thom & Diane Victor

Johan Thom & Diane Victor

Swimming/ Drowning, 2013

Body print by Johan Thom and etching by Diane Victor

195 x 108cm

 

Johan Thom

Johan Thom & Bevan De Wet

Skull, 2013

Embossed body print in white by Johan Thom with etching by Bevan De Wet

195 x 108cm

 

Johan Thom & David Koloane

Johan Thom & David Koloane

Ear, 2013

Etching by Johan Thom with drypoint by David Koloane

195 x 108 cm

Johan Thom and Willem Boshoff

Johan Thom and Willem Boshoff

Johan Thom & Willem Boshoff

Elephant Peepsite, 2014.

Etching by Johan Thom using elephant skull with lines made up of alphabet beads on extruded acrylic super 220 x 127.5cm

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    • DRAWINGS
      • 2005-7: The Diaries of New York, Belgrade, Dhaka and Johannesburg
      • 2009: A murder of text
      • 2013: Drawings from the Animal Series
      • 2023: Things Appear and Disappear
      • 2024 (ongoing): Clay based drawings
      • 2024: Will you still be mine (Mexico)
    • PERFORMANCE
      • 2003: Bind/Ontbind Series
      • 2004-6: Outpost Series
      • 2005: Crawling (The City of Gold)
      • 2006: The Theory of Gravity
      • 2008/9: Vox Populis/ Vox Dei
      • 2008: Come in peace/ Go to pieces (2008)
      • 2008: Traffic
      • 2008: Twilight
      • 2010-12: Incantation Series
      • 2010/11: Recital
      • 2010: Biblioclast (Action with Afrikaans/Dutch Dictionary)
      • 2010: Figurehead
      • 2010: Host 1
      • 2010: ProSpecter
      • 2011: Container
      • 2011: Licked Colony
      • 2011: Thank you
      • 2013: For Linnaeus
      • 2024: nomansland
      • 2024: Will you still be mine? (Del Mar) #1
      • 2024: ‘when my feet fall asleep (they dream of having gills)’
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2002: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
      • 2007: Ascension
      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
      • 2010: blood rites/ eat your words
      • 2010: Host II
      • 2010: Illumination
      • 2010: Shellshock
      • 2011: Flow
      • 2019: Recital: Decoy
      • 2023: ‘Movement in three parts (Isandlwana)’ Johan Thom (featuring Fellay, Manganye & Binda)
      • 2023: Autoportrait
      • 2023: Hoop/Heap (featuring Sudeep Sen)
    • OBJECTS
      • 2007: Looking for Lucy
      • 2007: Molotovmammas
      • 2007: Philistine rules/ Did you know?
      • 2007: The OK Revolution
      • 2009: Vessel – Perfect Lovers
      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
      • 2011: Workhorse (with Guy Du Toit)
      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
        • …….Mahout (video)
        • …….Photographs
        • …….Sculptures with Guy Du Toit
      • 2014-15: Faust the African Series
      • 2016: Promises, promises…
      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
      • 2023: Time after Time
      • 2024: Dwell
      • 2024: LH+RH+LHRH (Grasp)
      • 2024: RH#1 (right heel – the weight of my body in clay)
      • 2024: The ‘Grasp’ Sculpture Kit
      • 2025: LH#1 (left heel – the weight of my body in porcelain)
    • ABOUT
      • Artist statement
      • Press
      • Shortened CV
      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
        • 2023: The Question of ‘Africanness’ and the Expanded Field of Sculpture (part one), Johan Thom (SA) , Olu Oguibe (US) & moderated by Carolyn Jean Martin (US)
        • 2024: Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe & chaired by Johan Thom
      • Authored
        • 2024: Artistic research as an act of self-representation (Or why I choose to view my work as ‘research’)
        • 2025: Beauty and survival in a changing climate | Johan Thom | TEDxJohannesburg
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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