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Launch of portfolio of limited edition photographic prints: ‘Rites of Fealty/Rites of Passage’ performance art workshop

November 24, 2009 by Admin

The Bag Factory Artists’ Studios invites
you to the end-of-year celebratory cocktail launch of the

Portfolio of limited edition photographic prints
from the performance art workshop

Rites of Fealty/Rites of Passage

Documented by art photographer John Hodgkiss

Thursday, 26 November 2009, 6pm­ – 8pm
Bag Factory Gallery, 10 Mahlatini Street, Fordsburg, Johannesburg

Featuring the work of Nadine Hutton, Anthea Moys, Mlu Zondi, Ntando Cele, Rat Western, Ismail Farouk, Murray Turpin, Bronwyn Lace, Kemang wa Lehulere, Dinkies Sithole, Johan Thom.

Following the one-night exhibition of new performance artworks by a group of emerging South African artists held in July 2008, the Bag Factory presents the Rites of Fealty/ Rites of Passage: Print Portfolio, which comprises ten limited-edition prints from the performances in a beautifully bound portfolio.

Coordinated by pioneering South African performance artist Johan Thom, Rites of Fealty/ Rites of Passage was an exploration of the transformative capacity of art, whereby the artwork is envisioned as a rite of passage through which both artist and viewer may plot alternatives to existing modes of relating to our familiar surroundings, ordinary social interactions, physical gestures and use of language. In this way art may act as a gateway that embodies the possibility for personal and societal change through direct action and physical participation.

To watch excerpts of the performances on YouTube, go to: <http://www.youtube.com/watch?v=Ubw6M5dtGM4>.

This workshop and exhibition are made possible by:

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Posted in News, Uncategorized | Tagged Anthea Moys, Bag Factory Artist Studios, Bronwyn Lace, Dinkies Sithole, Ismail Farouk, Johan Thom, John Hodgkiss, Kemang wa Lehulere, Murray Turpin, Nadine Hutton, Ntando Cele, Performance art, Performance art South Africa, Rat Western |

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    • DRAWINGS
      • 2005-7: The Diaries of New York, Belgrade, Dhaka and Johannesburg
      • 2009: A murder of text
      • 2013: Drawings from the Animal Series
      • 2023: Things Appear and Disappear
      • 2024 (ongoing): Clay based drawings
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    • PERFORMANCE
      • 2003: Bind/Ontbind Series
      • 2004-6: Outpost Series
      • 2005: Crawling (The City of Gold)
      • 2006: The Theory of Gravity
      • 2008/9: Vox Populis/ Vox Dei
      • 2008: Come in peace/ Go to pieces (2008)
      • 2008: Traffic
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      • 2010-12: Incantation Series
      • 2010/11: Recital
      • 2010: Biblioclast (Action with Afrikaans/Dutch Dictionary)
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      • 2010: ProSpecter
      • 2011: Container
      • 2011: Licked Colony
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      • 2024: Will you still be mine? (Del Mar) #1
      • 2024: ‘when my feet fall asleep (they dream of having gills)’
      • Fountain (Date Withheld)
      • …other performances
    • VIDEO/INSTALLATIONS
      • 2002: The pencil test series
      • 2002: Violence and Happiness
      • 2004: The Labyrinth
      • 2005: The Minotaur Series 12
      • 2006: The Theory of Evolution
      • 2006: The Theory of Flight
      • 2007: Ascension
      • 2007: Birth of a Tyrant (2007)
      • 2007: Terms of endearment
      • 2008: Challenging Mud (After Kazuo Shiraga)
      • 2008: Outpost 4
      • 2008: The Theory of Displacement
      • 2009: Panopticon
      • 2010: blood rites/ eat your words
      • 2010: Host II
      • 2010: Illumination
      • 2010: Shellshock
      • 2011: Flow
      • 2019: Recital: Decoy
      • 2023: ‘Movement in three parts (Isandlwana)’ Johan Thom (featuring Fellay, Manganye & Binda)
      • 2023: Autoportrait
      • 2023: Hoop/Heap (featuring Sudeep Sen)
    • OBJECTS
      • 2007: Looking for Lucy
      • 2007: Molotovmammas
      • 2007: Philistine rules/ Did you know?
      • 2007: The OK Revolution
      • 2009: Vessel – Perfect Lovers
      • 2010: Gold works
      • 2010: Knobkierie
      • 2010: Recital (Lend me your ears)
      • 2010: Songbirds
      • 2011: Workhorse (with Guy Du Toit)
      • 2012: Fallen – monument for throwing…
      • 2013: The Animal Series
        • …….Collaborative large-scale etchings
        • …….Mahout (video)
        • …….Photographs
        • …….Sculptures with Guy Du Toit
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      • 2016: Promises, promises…
      • 2016: Selfportrait as an ass
      • 2016: Selfportrait with skull
      • 2017: The Hanging Garden
      • 2019: Houseboat
      • 2020: Houseboat #2
      • 2023: Time after Time
      • 2024: Dwell
      • 2024: LH+RH+LHRH (Grasp)
      • 2024: RH#1 (right heel – the weight of my body in clay)
      • 2024: The ‘Grasp’ Sculpture Kit
      • 2025: LH#1 (left heel – the weight of my body in porcelain)
    • ABOUT
      • Artist statement
      • Press
      • Shortened CV
      • Interviews
        • 2003: Interview with Carine Zaayman
        • 2006: Interview with Willem Boshoff
        • 2007: Interview with David Koloane (2007)
        • 2008: Interview with Peter Machen
        • 2008: Radio Papesse Interview as part of ‘.za: Young Art From South Africa’
        • 2009: Johan Thom interviewed by Sarah Claire Picton
        • 2010: The ghosts wish to remember: Interview with Petra Zemljič
        • 2018: The Aestheticized Interview with Johan Thom (South Africa) – Kisito Assangni for ArtDependence
        • 2023: The Question of ‘Africanness’ and the Expanded Field of Sculpture (part one), Johan Thom (SA) , Olu Oguibe (US) & moderated by Carolyn Jean Martin (US)
        • 2024: Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe & chaired by Johan Thom
      • Authored
        • 2024: Artistic research as an act of self-representation (Or why I choose to view my work as ‘research’)
        • 2025: Beauty and survival in a changing climate | Johan Thom | TEDxJohannesburg
        • David Koloane (1938–2019) – Artforum International
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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