• Home
  • PERFORMANCE
  • VIDEO/INSTALLATIONS
  • OBJECTS
  • CARTOGRAPHIES
  • ABOUT
  • CONTACT
  • LINKS

Feeds:
Posts
Comments

Untitled performance from the Minotaur Series (2004)

Date: 2004

Medium: Private performance (handmade rope, pickup truck and mixed media)

Duration: 60 Minutes

A private performance commissioned DI.E.N.S., a group exhibition curated by Lise Grobler and held at the Klein Karoo National Arts Festival, 2004, Oudtshoorn, South Africa.

The artist towed a pickup truck on a deserted dust road outside Oudsthoorn – dragging behind it a pile of rubbish (branches, plastic, rope – a disfigured effigy of sorts). At the time there was extensive media coverage of a criminal case where his employers and his fellow workers had dragged a farm worker to death behind a pickup truck. Sadly this was not an isolated incident – farm killings of both workers and their employers are commonplace in South Africa. It is also a known fact that a pickup truck or ‘bakkie’ as its commonly known in South Africa, is one of the most dangerous vehicles to own in SA as they are often violently hijacked and/or stolen.

This brings to question what kind of contemporary mythology these vehicles could be said to embody – that of the “boer” (the white farmer, the racist, the capitalist, the landowner); of land (the ownership of land and of contemporary land reform or the lack thereof); of crime (hijackings, theft); of trade (the vehicle is after all a utility vehicle designed to transport large quantities of materials and goods); of the gung-ho South African city slicker who so desperately wants to seem in control of his surroundings? Pickup trucks are simultaneously detestable – and – desirable objects.

Comments Off

  • Archives

  • Pages

    • PERFORMANCE
      • ProSpecter (2010)
      • Vox Populis/ Vox Dei (2008/9)
      • Come in peace/ Go to pieces (2008)
      • Exodus (2008)
      • Traffic (2008)
      • Twilight (2008)
      • The Theory of Gravity (2006)
      • Outpost Series (2004-6)
      • Bind/Ontbind Series (2003)
      • Untitled performance from the Minotaur Series (2004)
      • Other performances
    • VIDEO/INSTALLATIONS
      • Blood Rites (2010)
      • Illuminaton(2010)
      • Panopticon (2009)
      • Outpost 4 (2008)
      • Challenging Mud (After Kazuo Shiraga) (2008)
      • The Theory of Displacement (2008)
      • The Ascension (2007)
      • Terms of endearment (2007)
      • Birth of a Tyrant (2007)
      • The Theory of Flight (2006)
      • The Theory of Evolution (2006)
      • The Minotaur Series 12 (2005)
      • The Labyrinth (2004)
      • Violence and Happiness (2003)
      • The Pencil Test Series (2003)
    • OBJECTS
      • A murder of text (2009)
      • Vessel 1-Perfect Lovers (2009)
      • Looking for Lucy (2007)
      • The OK Revolution (2007)
      • Molotovmammas (2007)
      • The Theory of Labour (2006)
      • words oft error (2005)
      • I am no-one (2001-2)
    • CARTOGRAPHIES
    • ABOUT
      • Press
      • Shortened CV
      • Interviews
        • Interview with Carine Zaayman (2003)
        • Interview with David Koloane (2007)
        • Interview with Peter Machen (2008)
        • Interview with Willem Boshoff (2006)
        • Johan Thom interviewed by Sarah Claire Picton (2009)
        • Radio Papesse Interview as part of ‘.za: Young Art From South Africa’ (2008)
      • Authored
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • The sleeping monster produces reasons : Diane Victor
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
    • LINKS

Blog at WordPress.com.

Theme: Mistylook by Sadish.