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Thank you (2011)

THANK YOU This performance was based upon the creation of an organic machine that connects a number of materials (milk, oil, mustard seed, glass, sculptures) with a number of physical bodies (the artist, the assistant, the participant). In this way, a series of intimate, repetitive actions and material tensions generated a circuit of energy. In turn, this circuit allowed for the transformation of the various discrete elements (materials, bodies, actions) into a singular organism.

In order to accomplish this, members of the public were invited to pour sump oil and milk (in that order) into my open, outstretched hands. Sewn through the skin of each hand was a small Buddha sculpture: on the right the emaciated, almost skeletal, black Buddha; on the left, the white ‘post-enlightened’ Buddha. The performance assistant would then guide the volunteer to take their position in front of me, at which point I would open my eyes and focus my attention momentarily only on them. Finally, I would bow slightly and say “thank you”. Soon this evolved into a situation where the participants would do the same.The assistant would then invite another member of the public to participate.

The performance was complete only once the milk and sump oil was finished.

Performance assistant: Douglas Ajitvar Kumar.

Production stills, THANK YOU 2011, Performance, Sump oil, milk, glass, mustard seeds. 14 February 2011.
Bodh Gaya, India

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    • PERFORMANCE
      • For Linnaeus (2013)
      • Licked Colony (2011)
      • Thank you (2011)
      • Container (2011)
      • Fountain (Date Withheld)
      • Recital (2010/11)
      • Host 1 (2010)
      • Biblioclast: Action with Afrikaans/Dutch Dictionary (Rotterdam 2010)
      • Figurehead (2010)
      • Incantation series (2010 – 2012)
      • Vox Populis/ Vox Dei (2008/9)
      • Come in peace/ Go to pieces (2008)
      • Traffic (2008)
      • Twilight (2008)
      • The Theory of Gravity (2006)
      • Outpost Series (2004-6)
      • Bind/Ontbind Series (2003)
      • …other performances
    • VIDEO/INSTALLATIONS
      • Flow (2011)
      • Blood Rites/ eat your words (2010)
      • Host II (2010)
      • Shellshock (2010)
      • Illumination | 2010
      • Panopticon (2009)
      • Outpost 4 (2008)
      • The Theory of Displacement (2008)
      • Challenging Mud (After Kazuo Shiraga) (2008)
      • Terms of endearment (2007)
      • The Ascension (2007)
      • Birth of a Tyrant (2007)
      • The Theory of Flight (2006)
      • The Theory of Evolution (2006)
      • The Minotaur Series 12 (2005)
      • The Labyrinth (2004)
      • Violence and Happiness (2003)
      • The Pencil Test Series (2003)
    • OBJECTS
      • Fallen – object for throwing from Waterloo/ Blackfriars Bridge (2012)
      • Workhorse (2011) with Guy Du Toit
      • Gold works (2010 -)
      • Songbirds/ Decoy (2010 -)
      • Vessel: Perfect Lovers (2009)
      • Philistine rules/ Did you know? (2007)
      • Looking for Lucy (2007)
      • The OK Revolution (2007)
      • Molotovmammas (2007)
      • The Theory of Labour (2006)
      • words oft error (2005)
      • I am no-one (2001-2)
    • ABOUT
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      • Interviews
        • The ghosts wish to remember: Interview with Petra Zemljič (2010)
        • Johan Thom interviewed by Sarah Claire Picton (2009)
        • Interview with Peter Machen (2008)
        • Radio Papesse Interview as part of ‘.za: Young Art From South Africa’ (2008)
        • Interview with David Koloane (2007)
        • Interview with Willem Boshoff (2006)
        • Interview with Carine Zaayman (2003)
      • Authored
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • Roger Ballen at the Johannesburg Art Gallery, 2007
        • The sleeping monster produces reasons : Diane Victor
        • Santu Mofokeng (2010)
        • The sense of fresh air (2010)
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
    • CONTACT
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