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Bind/Ontbind Series (2003)

All the works of the ‘bind/ontbind’ Series attempt to collapse the dichotomy inherent in their title… In Afrikaans to ‘bind’ means “to tie up; to fasten; cement; hold; trammel; bind…bound by; commit (to the conditions)…linkage; fixation; weave (patterns)…to connect”. Conversely, the word ‘ontbind’ means to “untie; undo; break up; disband; dissolve; decompose; decay; putrify; disintegrate; analyze; decompound; resolve (forces); dissociate; disconnect; …disintegration; disestablishment; dissolution; …annulment”

bind-ontbind-series-2a
Photo credit: Nico Anklam

Bind/Ontbind 2

2003

Performance at the Venice Biennale 2003 as part of the group exhibition ‘Recycling the future:viveravenezia2′ curated by Angela Vetesse

Duration approx 30 minutes

The works in this series are all metaphors for the complex interrelationship between these two seemingly oppositional forces – everything we are and we everything we know is subject to their constant re-vision, re-articulation and re-formation. Albert Einstein said that the only constant force in the universe is change. However, I would add that, change is in itself chaotic. It has no substance and cannot be known.

Nico Anklam

Photo credit: Nico Anklam

Bind/Ontbind Series 3

2003

Public performance, Venice (Italy)

Duration approx 30 minutes


Thus everything is subject to change including our (re) interpretations of its meaning. In fact, there is the paradox: as with all things, we can only speak about it in metaphors – in order to render it knowledgeable we have to position words/concepts ‘in its stead’, to ‘represent’ it i.e. ‘bind/ontbind’. For me, things are not either in the process of ‘binding’ or of ‘un-binding’ alone, they are simultaneously doing both.

Bind/Ontind 1

Single Channel Video (this copy a preview only)

Duration: 2min36sec


“We may attempt to contain this ongoing process of transformation (or of expansion and retraction) within complex systems of knowledge – as various historical epistemologies, ontologies and cosmologies have attempted to do before – but we cannot ever hope to contain it. If this is the ‘grand narrative’ that defines human existence, it is not grand at all: neither its cause nor its effect will ever be ours for the taking. As an artist, all I wish to do is to draw attention to this fact”. (Interview with the artist/curator Alex Zika for the show “Agora” held in London at the Transition Gallery, 2004).

ties-that-bind-1

ties-that-bind2

ties-that-bind3

Selection from ‘The Ties That Bind’ (Bind/Ontbind Series)

2003

Series of 10 Archival prints each 120cm x 80cm

Photographic Credit: Garreth Fradgley

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    • PERFORMANCE
      • ProSpecter (2010)
      • Vox Populis/ Vox Dei (2008/9)
      • Come in peace/ Go to pieces (2008)
      • Exodus (2008)
      • Traffic (2008)
      • Twilight (2008)
      • The Theory of Gravity (2006)
      • Outpost Series (2004-6)
      • Bind/Ontbind Series (2003)
      • Untitled performance from the Minotaur Series (2004)
      • Other performances
    • VIDEO/INSTALLATIONS
      • Blood Rites (2010)
      • Illuminaton(2010)
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      • Outpost 4 (2008)
      • Challenging Mud (After Kazuo Shiraga) (2008)
      • The Theory of Displacement (2008)
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      • A murder of text (2009)
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        • Radio Papesse Interview as part of ‘.za: Young Art From South Africa’ (2008)
      • Authored
        • Kendell Geers at the Steven Friedman, London
        • Life intimidating art, The Diplomat, Sept/Oct 2007
        • The sleeping monster produces reasons : Diane Victor
        • Taming the Trojan Horse: Disarming the Politics of Otherness in a Postcolonial (African) Context
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